Elisa, the daughter of an ordinary family, has been in prison for ten years for brutally murdering her sister. She believes she doesn’t remember what happened, but her fragmented memories begin to come into focus during meetings with the criminologist Alaoui, who is conducting a study on family homicides. The truth that emerges for Elisa is devastating—a pain that may mark the beginning of redemption.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
