Eline Vere 

The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.

The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart. 

The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.

Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.