Eli Manning sends Vikings star Justin Jefferson undercover as a nature photographer to get the inside scoop on the fast-growing sport of flag football. He’ll snap pics, confuse coaches, break ankles, and soar like the common loon.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
