Spider-Man: Across the Closet with Miles Morales and Gwen Stacy
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!



There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it. The ‘Outside The Wire’ star continues to fight annihilating monsters in ‘Elevation’ alongside veteran sci-fi actress Morena Baccarin.
After humanity is overrun with mysterious, homicidal creatures, those who are left are forced to flee above 8,000 feet into the mountains of Colorado and the surrounding midwest. Survivors have created a network of communities with the expectation of never leaving.
The quickest way to connect an audience to the protagonist is often through their family. Typically, this is done with an overwhelmingly sentimentalized father and daughter relationship. Here, we see a father’s affection for his son take center stage. Especially accentuating is the montage of Will(Anthony Mackie) teaching Hunter(Danny Boyd, Jr.) how to farm and fish. Even without an apocalypse this scene would still be relatable since most dads relish in passing on knowledge to their children.
This introduces a recurring theme in the film which is a father’s willingness to do whatever it takes to take care of his family. Hunter has a respiratory condition that requires nightly breathing treatments. With his supply of oxygen depleted, Will decides to venture beyond their community below the 8,000 feet threshold to a Boulder hospital and retrieve the much needed oxygen canisters. He also expresses his desperation to not lose Hunter since he has already lost his wife Tara(Rachel Nicks).
Tara’s best friend, Katie(Maddie Hasson) accompanies him and he recruits Nina(Morena Baccarin), the alcoholic, lone scientist to join his quest. Tensions continually surface due to Nina’s determination to find a way to kill this existential threat which led to Tara being killed.

Post-apocalyptic survivors find refuge in the Rocky Mountains to hide from giant, insect-like creatures that can't live above 8,000 feet. However, when one of them needs life-saving supplies, they risk it all to venture into the danger zone.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.