The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

Sergio is a drama teacher for children. Through his classes we learn something about him and his students. Pain is above fear. Children can only act as children. A child cannot act as a policeman, an old man, a prostitute, for example. The great advantage of a child is that he is the only one who can act as a child naturally. Therefore, their greatest competitors are animals.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
This reboot of The Wonder Years is told from the lens of a Black man.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.