Hayashi Taro is still a high school student, but lives in Tokyo with Yuko, who works at a no-pan coffee shop. Shigeya Yoshida, an architectural designer in Yokohama, likes June and goes to hotels. Yoshida's wife, Hideyo, notices the existence of June and is very jealous. In addition, Hideyo had a younger brother named Kiyoshi, who had feelings similar to love for his sister. When June and Shigeya were dating Shonan at night, Hayashi Taro attacked Shigeya....
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
The Olivia Wilde renaissance is upon us.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.
