
Spain, 30's. Fabian Insausti (Juan Luis Galiardo), which has become a rich landowner in Venezuela, returns to his hometown due to the death of his mother. One day he decides to visit an old mansion converted into a luxury brothel, and there falls in love with Ana (Maribel Verdú), a young prostitute. He asks her to accompany him, but she is not willing to give up the luxury of home run by Charo, for her real mother. So the owner Fabian offers its pupils move to Venezuela, under the same conditions they have here.
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
A legacy based on the comic strip for old and new fans of Peanuts.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.