The Black and White Metaphor in 'Passing'
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
El santuario no se rinde
Maria Fuenterreal remembers the days of resistance in the sanctuary of the Virgen de la Cabeza. There she met Aracil, a man of extremist ideas who saved her from the enemy troops, and then Captain Cortes, who died in the final battle with most of the defenders. After the battle, Maria suffers a bout of amnesia and Aracil escapes.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Maria Fuenterreal remembers the days of resistance in the sanctuary of the Virgen de la Cabeza. There she met Aracil, a man of extremist ideas who saved her from the enemy troops, and then Captain Cortes, who died in the final battle with most of the defenders. After the battle, Maria suffers a bout of amnesia and Aracil escapes.
Rating:
Genre:Drama, War
Written By:José María Amado, Arturo Ruiz Castillo
In Theaters:
Box Office:
Runtime:97 minutes
Studio:
Cast
Articles You May Like
Fear Street: Part One - 1994
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
‘Cursed’ is Struck with a Bland Curse
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
The New ‘Old’ Hollywood that is ‘Babylon’
‘Babylon’ is an exhilarating journey one has to brace themselves for
'The Hand of God': Authentic Memory or Cliché Love Letter?
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.