Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Two brothers plan to steal the precious jewel of Nefertiti's eye in a famous exhibition hall, but they are not the only ones who want it. There is a scuffle in which a policeman dies and one of the robbers falls on the dead man.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
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