Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A simpleton from an Indian village is afflicted by an ancient family curse; whenever a woman kisses him, he turns into a Disco Danny ladykiller. Naturally, after that happens, he's kidnapped by Arab terrorists, because duh.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.