Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

In early 1900s rural Trentino, Vanni and Agnese's life is upended by the arrival of Luzia, a young woman scarred by abuse. She claims to be a victim of the Mazaròl, a folkloric creature that kidnaps women in the woods.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.