Things go terribly wrong for Federico. He lost his job as professor of Latin and his girlfriend has left him for a dental technician. So, he decides to commit suicide. After several failed attempts, including the throw from the Roman aqueduct of Segovia, he decides to take advantage of his decision and get rid of a society that has been hostile. Remake of a 1942 film by the same director, Rafael Gil.
Rafael Gil
Director
Tony Leblanc
Federico Solá
Antonio Garisa
Sr. Argüelles
Elisa Ramírez
Irene Argüelles
Rafael Alonso
Promotor inmobiliario
Aurora Redondo
Doña Amalia
Emma Cohen
Huésped hippie
Milagros Leal
Madre de Enriqueta
José Sacristán
Jorge Yarza
José Orjas
Don Rodrigo
Beni Deus
Ramón (as Beny Deus)
Mary Begoña
Enriqueta
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.