El derecho a la vida 

With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.

When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.

Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart. 

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.