El Caco 

This 2024 musical film is based on the Broadway show and the 2004 film of the same name with major differences.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.

This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.