A dazzling journey through the biblical meaning of sacrifice -from Creation to us- accompanied by luxury hosts: Eduardo Verástegui, best-selling author Scott Hahn, two-time Formula 1 champion Emerson Fittipaldi, the Barabbas of The Passion of Christ Pietro Sarubbi, Raniero Cantalamessa... and by young people 'kissed' by God. With incredible images of the nature of Brazil and Iceland; shot in Playa de las Catedrales (Lugo) and Matera (Italy).
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
