El almohadon 

Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.

As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.

Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

The actions that Verity confesses to are tragic.  But the way to prevent those actions isn’t to force the related emotions into the shadows.