This film by Frank Eidlitz contains close-ups of art and design objects on display, as well as light experiments. Objects that appear on film include details of a religious fresco, Jean Arps’ ‘Lion of the Cyclades: Seated’ (1957), metallic sculptures and glass prisms. Some sections are filmed within the exhibition ‘Light as a Creative Medium’, which was curated by Gyorgy Kepes at the Carpenter Center for the Visual Arts at Harvard University in 1965, organised in conjunction with MIT. Interspersed throughout are some of Eidlitz’s light experiments, playing with light, colour and movement. The soundtrack is similarly experimental, consisting of fragments of music, radio voices and electronic noise.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary
