Albert Einstein's theory of general relativity has revolutionised our understanding of gravity, space and time. Initially acclaimed, then forgotten, and now rediscovered, the adventure of this hundred-year-old theory has marked the scientific history of the 20th century. From its inception, a mathematical difficulty arose that could have nipped the theory in the bud: the Schwarzschild singularity. In the company of great international relativistic physicists, the viewer embarks on a discovery of this theory with a singular destiny. We discover a "curved" universe that proves to be even stranger than Einstein had envisioned, and harbours some objects - such as black holes - that still challenge today's scientists.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
