In the depths of a dense winter forest, an old little witch lives. The animals in the forest like her, because she has never caused anyone suffering. But she has a small mistake: sometimes greed overcomes her - so also on a Christmas evening. She wants more gifts than she deserves, so Santa decides not to give her a gift at all this year. The witch chases after Santa's balloon to tear him a gift. But she does not succeed, instead her witch broom breaks during the wild hunt. Sadly, the witch sneaks home. Unhappy and lonely, she sits in her gloomy witch apartment and is ashamed of her greedy behavior. Suddenly Santa is standing in front of her. He is not evil, but gives her a new witch broom and a red witch cat. So it happens that Hex' and Santa celebrate Christmas together and make music deep into the night.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
A summary of the films featured in this annual event taking place in Westchester.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
