The Skeleton In The Closet: 8 LGBTQ+ Horror Films Claiming The Genre
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.

Veterinarian Britta has recently separated from her boyfriend and is open to a new beginning, preferably in Brittany, where she spends the summer vacation with a befriend couple. After a rain shower, she unexpectedly stumbles upon her idyllic dream house, only to run over the fisherman Yves with her bike in her blissfulness. Unfortunately, Yves also wants to buy the house that is up for sale in an anonymous bidding process. He and his father can no longer make a living from fishing, and he wants to build up a second source of income in the form of holiday apartments. The empty neighboring house would be ideal for this. At first, Yves finds Britta more annoying than nice. But she gains ground with her fearless and positive nature. When Yves finds out who his opponent in the bidding process is, he tries to badmouth his beautiful home area in presence of the German doctor. Everything would be so much easier if it weren't for those darn feelings. House or love, that is the question now.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
This 2022 Netflix Film starring Rebel Wilson delivers when it comes to comedy, but leaves you wishing there was something more.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Unrelentingly funny, highly entertaining, and ridiculously absurd, My Movie Starring Paul Dano is, according to its creator, Joe Bartone, a tribute to the willful ignorance of independent filmmaking found in the late '70s in New York City. Developed through open discussions with the cast at the reading table, the mockumentary follows a delusional and fame-starved indie director, Herman Rumowicz, through the process of making his very first feature movie starring Paul Dano.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.