Wayward Really Is Worth All The Hype
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.

Richard Mertens, a successful magazine editor with a cold, empty marriage to Lucy, seeks excitement through an affair with younger colleague Eva. Yet his need for status traps him in superficiality, undermining genuine connection. A legal battle with old friend Ferrow, won through perjury, reveals Mertens’s moral emptiness, shattering his relationship with Eva. Alone, he finds solace only in listening to bartender Brigitte.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.