Young Uli Merkel is an engineer and inventor. He has a wife and child and is primarily interested in his career. One day, he receives a strange assignment from general manager Zeim. He is to track down the former chief designer Heiner Rudolf in order to take his inventions out of his pocket. Rudolf, ridiculed at the time for his forward-looking work, had taken all his documents with him when he left. Now they are needed to fulfill an important export order. In his search for Rudolf, Uli begins to realize that he, the boy, is being used. He finally finds Rudolf as a gravedigger on the island of Rügen. The encounter reinforces Uli's doubts about the moral integrity of his mission. He gets out and stays there, while Rudolf accepts an offer from the general manager.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
This film’s ambition is betrayed by its lack of substance.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
A working class mom searches for her daughter.
