Egzamin 

The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.

Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.

A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs. 

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.