Dia Frampton Talks Her Career and Roles
Richard speaks with Dia Frampton about some of her experiences with acting and music.
Egomania: Island Without Hope
Egomania is a visually stunning end-of-the-world melodrama about lust, jealousy and murder set amidst solar eclipses, orchestral chants and the distant thunder of the boiling sea. The film’s characters – riddled with unconscious desires – find themselves imprisoned on an island. Drawing parallels to the work of British filmmaker Derek Jarman and staring Jarman’s actress-muse Tilda Swinton, Schlingensief’s raw and almost mythological film stands in contrast to his more offensive efforts.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Egomania is a visually stunning end-of-the-world melodrama about lust, jealousy and murder set amidst solar eclipses, orchestral chants and the distant thunder of the boiling sea. The film’s characters – riddled with unconscious desires – find themselves imprisoned on an island. Drawing parallels to the work of British filmmaker Derek Jarman and staring Jarman’s actress-muse Tilda Swinton, Schlingensief’s raw and almost mythological film stands in contrast to his more offensive efforts.
Rating:
Genre:Drama
Written By:Christoph Schlingensief
In Theaters:
Box Office:
Runtime:87 minutes
Studio:DEM Film
Articles You May Like
Hollywood: Netflix Tells the History of Movies That Never Was
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Early Feminism Shown in 'Footlight Parade' (1933)
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
"United States of Al" is Another Show Made for White Viewers- But in a Good Way
'PAW Patrol: The Mighty Movie' (2023)
This theatrical sequel based on the PAW Patrol series features voice actors of color in this action-packed adventure.
"Him" - All Flash, No Game
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.