Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

In this exploration of Synesthesia, a green monochrome monitor pulses, curves, and ultimately burns into waveshaped chaos. Occurring as a series of five thirtysecond audio visual experiments, Blommaert’s evolving graphical abstraction literally plays with how we see sound gestures — whether it be an 8-bit ping pong game sound effect, orchestral tuning, or the algorithmic throes of generative minimalism.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
The film is a powerful narrative encompassing a theme that many people can identify with.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.