Ari Aster’s neo-Western film, Eddington, touches upon as many social-political discourses as possible: Covid-19, the Black Lives Matter movement, selection, conspiracy theories, sexual abuse, cults, borders, data centers, youths’ lives during the pandemic, gun violence, extremism, and the merge of media and politics.
The racial identities of the characters are directly and vocally addressed in the dialogues of the film. Being white, Hispanic, indigenous, or Black is an important factor defining the tension in social settings and impacting their actions. Most prominently, police officer Micheal was passively being centered in the discussion of BLM protests frequently as a Black man. He was framed as the murderer of the rival for the mayoral election, Ted Garcia, and his son at the end, with a manufactured racial motive.
Eddington is one of the most social media-heavy films ever, and only the ‘lost cam’ horror films can feature more screens. Not only do the characters constantly use phones and laptops, but also the webpages and interfaces frequently cover the full screen, including some websites and major social media: Facebook, Instagram, TikTok, and YouTube. Different usages of social media have become a vital aspect of characterization. The protagonist, Sheriff Joe Cross’s incompetence in understanding media also leads to his downfall. The first time we see Sarah, a young white girl who is an activist, is her dancing on TikTok about finishing reading a book, which is the introduction of her character. Later on, every time the media appears, it determines the direction of everyone’s movements. This film faces how media-infiltrated our daily lives are and how it is overbearing in a way that is interlocked with our identities.
We witnessed how Joe Cross’s evilness was brought out throughout the film. This character was overall emasculated and has been fighting to regain the feeling of control and power. His frustration and rage started from being forced to wear masks and escalated into failing the election campaign and murders. A series of impulsive attempts lead to an ultimate helplessness and loss of autonomy at the end, after he was paralyzed and became a puppet mayor.
In May of 2020, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
'The Wiz' has the propensity for paying homage to black culture with R&B music, graffiti and jazzy elements that make it incredibly entertaining.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
