Yoko Shintani, an instructor at an aerobics school, secretly enjoys eavesdropping on the rooms next door. She eavesdrops on the frequent comings and goings of men by her neighbor, the model Reiko Saegusa. She relieves her frustrations as she is approaching marriageable age and her dissatisfaction with the school by eavesdropping. However, Yoko is also being watched by the photographer's assistant Naito through a telephoto lens. One night, Yoko hears Reiko's death throes. Thinking that Reiko has been murdered, Yoko calls the police, but...
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
American Fiction is a genuinely entertaining film with a few lessons.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
