Both in 2006 and 2007, the Gay Pride Parade attempts in Moscow are violently beaten down. For many observers, the attitude towards the sexual minorities seems to be the litmus test of the state of democracy in Russia. In January 2007, for the first time in Russian history, a Russian leader, president Vladimir Putin mentions the situation of the LGBT community: He won't criticize the politics of Moscow mayor Yuri Lushkov, who forbid the event, but he is concerned about the demographic future of the country. And Putins opinion seems to be repeated by the right wing contra demonstrators on the streets. The film shows both the organizers of the Pride events and also the survival strategies of the majority Russian lesbians and gays, to whom the fight for democracy on the streets doesn't seem to be an attractive alternative.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
