Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

When the villainous Bad Clyde casts an evil spell to banish the beloved Benny the Easter Bunny to the dreaded Land of the Holiday Misfits, Santa Claus and his trusty sidekick, Gargaff the Reindeer, spring into action and embark on an epic, multi-dimensional journey that takes them from the North Pole to lands undreamt of, all to rescue Benny and save the Easter holiday for children around the world.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
The Olivia Wilde renaissance is upon us.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
American Fiction is a genuinely entertaining film with a few lessons.