People have been living in space for a long time, in a big House called planet Earth, but only six decades ago we became the real owners of this House, because we got the opportunity to go out and look at it from the outside, from the top point. We have found the perfect tool and limitless opportunities for observing and studying the Earth. How many amazing discoveries have been made since then thanks to scientific instruments raised into orbit. We found out where most of the oxygen we breathe actually comes from, how such powerful and dangerous natural phenomena as typhoons and hurricanes are formed, we looked deep underground and found fantastic processes there. And this is only the beginning, only the first steps in the holistic and systematic knowledge of this beautiful and mysterious space object.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
The story of the loss of innocence of the young prey who has been maimed by the predator. *Trigger Warning, sexual abuse and assault is discussed in this short film.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
