Eagle 101 

Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers. 

Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous. 

For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Sam Levinson's latest film can't keep up with the excellence of its performances.