
For the exhibition Dylaby, the museum’s director Willem Sandberg and artist Jean Tinguely transformed the Stedelijk into a huge labyrinth. The film follows a tour of the exhibition in which the viewers have to actively participate in this DYnamisch LABYrint. Van der Elsken walks through the exhibition; looks, sees and hears what is happening, and also records viewers’ responses.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.