13: The Musical About Making New Friends
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.

Isaki Lacuesta presents a social satire in which five common or garden citizens, from a country pretty much identical to our own, see their lives ripped apart by the economic crisis. With nothing more to lose, they come up with a crazy plan to save the Spanish and world economy: kidnap the chairman of the Central Bank and demand that he return everything to the way it used to be.
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
Fjord, like its story, is not a conclusion, but a beginning.