“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

A writer who suffers from dissociative identity disorder finds his life spiralling out of control after he starts hallucinating the characters of his new novel. As the hallucinations become more frequent and his mental health worsens, his family turns to a renowned psychiatrist for help. Can he be saved?
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Women have always been integral to science fiction, and these amazing women prove why.