Where The Tracks End in Mexico
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.

A hybrid work of nocturnal forays through Hamburg in documentary-animated live action. Alongside feminist social criticism, autobiographical references remain never fully deciphered. Alongside the gloomy Wanda Wandalis and Krossen Kerlen, "Didi" enriches the director's dark excursions and artistic positions in a fascinating way with his presence as an eccentric character. This love, embodied by Dietrich Kuhlbrodt (known for his subversive roles in Christoph Schlingensief's films), brings unmistakable charm and humor to the collaboration with Pachet Fulmen. "I'm not interested in pigeonholing," says Fulmen. Her art is a rebellion against convention — uncompromising, uncomfortable, unforgettable.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
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