Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

While touring the countryside, Tina and Louise run into difficulty as their car breaks down just as a storm is approaching. As luck would have it, an old abandoned castle was nearby. That is, as bad luck would have it. The girls had no trouble entering the unlocked castle. Getting out is another matter entirely. They have just entered the lair of the Mad Monk of Bondania whose mission is to save the souls of wicked young ladies by subjecting them to the medieval tortures of his ancestral dungeon.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
What makes The Matrix saga fascinating is the symbolism of caves and trans allegories
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.