“I’m a newspaperman!”: Howard Hawks softened a political satire into a proto-feminist romcom
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.

Dumpster tells the story of what happens when Jim, a janitor on the campus of an elite university, discovers Francis, a wealthy frat boy, hiding in a mobile garbage bin. Jim wrestles with adult responsibilities at home with his girlfriend and her child, while Francis struggles to overcome his roommate's suicide, getting 'dumped' by his girlfriend, and outgrowing the fraternity scene. Their late-night meetings at the Dumpster allow them to shed their labels and uniforms and find out how the other half lives, while discovering some good stuff in the dumpster.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.