The rather dusty black-and-white footage, dating from the summer of 1966, opens with bikinis, beach umbrellas and Foster Grant-shaded sophisticates strolling La Croisette. The scene then shifts to a surprisingly drab hotel suite, where Duke Ellington explains that, though his career had taken him to all corners of the globe, this is his first visit to the French Riviera. Ellington is there, with Ella Fitzgerald, for the Festival International de Jazz at Juan-les-Pins, but, as he enthuses in his introduction, he’s equally eager to indulge his love of modern art with up-close observation of works by Picasso, Calder, Alberto Giacometti and Joan Miró. As any fan of Ellington and/or Fitzgerald is well aware, an edited version of their four-night Côte d’Azur appearance was released in ’66 as a two-record set. That version found its way onto CD in 1997. A year later, a massive, eight-disc compendium served up the Duke and Ella sessions in their entirety.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
Sam Levinson's latest film can't keep up with the excellence of its performances.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content
