Meek and mild-mannered gas station attendant Saadon (Que Haidar) has never fallen in love. The one time he falls for Mala (Nabila Huda), she conspires with Budi (Remy Ishak) to make off with his savings. When Saadon finds himself beaten up by Budi in a back alley, he chances upon a magic teapot that is inhabited by a genie, Pari Pari (Liyana Jasmay). Love is possible. However, the genie's father, Para Para (Harun Salim Bachik) is tracking her. Hoping to find romance, the genie refuses to return to her realm and is ready to accept the genie's curse of eternal oblivion should she fail in love once more.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
