In the Crimea, on the shore of the Black Sea lives a girl nicknamed Dubravka. The girl plays soccer, swims in the sea, runs with boys in a race and often becomes a participant of any adventure. But the time comes - and Dubravka begins to grow up. She is as if in a “suspended” state: she is no longer interested in playing with boys, and older boys and girls do not pay much attention to her or perceive her as a child. In the house Dubravka settles vacationer Valentina Grigorievna. The girl likes her so much that Dubravka even “fell in love” with her. Dubravka's neighbor, the lonely father Peter Petrovich, and Valentina sympathize with each other, and Dubravka becomes very jealous of her. The girl does not know where to go from the contradictions simmering in her.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
A successful author’s life is upended when she finds herself on a plantation straight out of the antebellum south.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
