Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

d'Trex poster

d'Trex 

Jerry (Mandala Abadi) and his four buddies like to street race. After making promises to one another that they will stay single for their hobby, the presence of a girl shakes off their friendship.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Jerry (Mandala Abadi) and his four buddies like to street race. After making promises to one another that they will stay single for their hobby, the presence of a girl shakes off their friendship.

Rating:
Genre:Action, Romance
Directed By:Achiel Nasrun
Written By:Doddy Soeriapoetra
In Theaters:
Box Office:

Runtime:108 minutes
Studio:PT Grandiz Media Production, Starvision Plus

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood

Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger