Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

This concert film stages a never-realized gala at Budapest’s Opera House, stringing together eleven diverse numbers - from operetta and folk dance to popular songs - introduced by Vera Sennyei’s tongue-in-cheek on-stage announcements. Though framed as a live opening night, most performances were in fact shot in television studios, creating a playful pastiche of televised spectacle rather than a traditional concert film.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.