
After an expose on NFL players causes a series of lawsuits, a reporter gets fired. A loyal editor nonetheless gives him a freelance story to work on. It seems that an athletic 19-year-old actor had been preparing to star in a low-budget gridiron movie when a mysterious assailant attacked him and destroyed his appearance. He was, of course, dismissed from the film. The reporter is to find out the true story of what happened. His investigation finds a history of beating his wife and a complete disinterest from the movie crew's producer.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Dracula evolved from a person to a monster and then from a monster to a person.