
When Ingrid turns 34, she has to admit to herself that her life has not gone as she had hoped. She has been single since she was seventeen, she works in an underwear store, and now her parents are getting divorced. She can feel for the first time in her life that she is in fact like everyone else. And her biggest wish is one of the most banal and unoriginal in the whole world: to have a boyfriend. But how can an independent and proud woman like her find love under the increasing pressure of her biological clock and without losing face?
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
"Warrior" is a Bruce Lee written and inspired story that follows a diverse cast of Chinese American characters and does a terrific job of setting the story in 1878 San Francisco - all without pulling their punches with the systemic racism, discrimination, and struggle for power that old and young immigrants that crossed the country at that time had to go through.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.