When Ingrid turns 34, she has to admit to herself that her life has not gone as she had hoped. She has been single since she was seventeen, she works in an underwear store, and now her parents are getting divorced. She can feel for the first time in her life that she is in fact like everyone else. And her biggest wish is one of the most banal and unoriginal in the whole world: to have a boyfriend. But how can an independent and proud woman like her find love under the increasing pressure of her biological clock and without losing face?
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Korean Dramas deserve your attention and not just the ones on Netflix.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
