“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

Alan is a rich kid looking forward to a busy 24 hours: his birthday celebration tonight and attending court as witness in a criminal trial the next morning. Gal pal Wendy gets things rolling with plans for a night of non-stop partying. Alan's lawyer knows his client's unreliability, so he pressures Alan's dependable chum Chris to tag along. Chris's friend Sam, an entrepreneur eager to do business with Alan's crowd, also joins in for fun and profit. As they make the rounds, Alan gets increasingly plastered while searching for his latest infatuation, Ayaka. By sunrise, he's hardly in condition to testify and even the hangover-curing skills of bartender Cherry prove ineffective. As the deadline looms, another solution is sought. In the process, the guys discover their twilight craziness provided each with a new self-perspective that has intangibly changed their lives.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
Emily and Stephanie are back... just add gin and drama.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.