The 'Bigfoot Family' is Back in Town
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.

Fifteen-year-old Sammy has recently become aware of desires she awakens in men but one man to whom she is herself attracted is her older brother Jacob. With an institutionalized father and a mother neither sibling has seen for years, Jacob provides for the household through his trade in meat declared unfit for human consumption. This situation has sufficed for years but the dedication with which Jacob watches over his little sister leaves her no room to mature as a woman...
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
Sam Levinson's latest film can't keep up with the excellence of its performances.