"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

A police officer arrives at a seemingly peaceful station but faces pressure when human remains are discovered. Given only a week to solve the murder, he must navigate demands from his department and an anxious public seeking swift justice.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
This is not McDonald’s. This is something different.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.