Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Ikumi Sakurai is a first year high school student who begins to investigate her dead mothers past.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The movie is centered around the title character who goes on a Christmas adventure.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.