I Have a Love-Hate Relationship With 'Love Hard'
Love Hard is a Christmas romcom about two people who fall in love while pretending to date. It’s a romantic and fun watch. If you can forget the catfishing.

Democrats pulled off a stunning upset in the Wisconsin Supreme Court election last April. To win, they had to persevere through one of the most precarious elections in recent history: a global health pandemic, voter suppression tactics, rapidly changing public health information, and a deafening media din. A fair election teetered on the brink. Organizers and activists met the moment with unflinching resolve and learned to organize differently. Armed with a new generation of political technology and online organizing tools, volunteers fanned out across the state, virtually, to build meaningful relationships with friends and family members that could withstand the pressures of voter suppression and misinformation. Facing unthinkable obstacles, these organizers showed us how to win.
Love Hard is a Christmas romcom about two people who fall in love while pretending to date. It’s a romantic and fun watch. If you can forget the catfishing.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.