Johannes is a loner who wants a better job. And then he meets Ana. Ana is attractive and even though her job is even less prestigious than Johannes's, he falls for her. And then she quits her job to be with him (and be dependent on him) and suddenly things become much more serious. She has fallen for him. But does he still love her? Did he ever? Enter Sarah. Sarah is the daughter of Johannes's boss. He and she have a past. Will Sarah and what she represents be his future, and Ana just a memory, something he'd like to erase?
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
